Music
Beginner to Composer
Contents · Interlude — Like A Gift
Book · Music
Beginner to Composer in 14 Days · Digital edition
Like A Gift
Interlude
Rivulets of rain gather, burst and race down the window of my studio. Outside my neighbour’s cat shoots across the glossy green lawn, desperate to get out of the wet. A week ago, sitting in this same spot, I’d been noodling at the keys when a piano part arrived; landed fully formed and quite complete, like it had always existed - simply elsewhere. In the days that followed I explored it, adding this and changing that, but for the most part kept returning to the way it tumbled out the first time around. I decided to record it, not a perfect take but good enough to play along to on my double bass and drums. Again the parts appeared to write themselves, no force or labouring required. It felt a bit like cheating.
Not every composition goes like this. It’s special when it does, like a gift. All you have to do is show up to receive it. As the music comes through I get the sense that time does not exist. This is something I have heard, but now I feel it; like embodying the past, present and future all at once. It leaves me feeling high the whole week long. Light, like walking on air.
Anyone that tries enough times to create something will eventually get an experience like this. I liken it to falling in love, only with something you can’t see, touch or fully understand. I score the final bars and see the whites out on the line begin to drip. A blouse slides through the pegs and slaps the ground. The encounter is over.
Worksheet
Choose your key and chords. Build each bar’s rhythm, then choose a melody note above each event.
Changing key transposes your chords and melody by scale degree. Rhythm and approaches stay the same.
Whole notes = 4 beats · Half notes = 2 · Quarter notes = 1.
Select a melody or rhythm event to edit its length, octave, grace note or tie. Following notes move with it. Choices stay here until you leave or refresh.
Section A
C major · 4/4
Section B
A minor · 4/4
Lead Sheet
Melody and chords from your worksheet. A and B share the same key signature.
Incomplete bars are marked below the stave. Blank spaces are unfinished choices, not rests.
Preparing notation…
Section A
- Bar 1. Chord not chosen. 4 beats unfinished.
- Bar 2. Chord not chosen. 4 beats unfinished.
- Bar 3. Chord not chosen. 4 beats unfinished.
- Bar 4. Chord not chosen. 4 beats unfinished.
Section B
- Bar 1. Chord not chosen. 4 beats unfinished.
- Bar 2. Chord not chosen. 4 beats unfinished.
- Bar 3. Chord not chosen. 4 beats unfinished.
- Bar 4. Chord not chosen. 4 beats unfinished.
Sheet Music
Your melody in the right hand, with left-hand accompaniment from each bar’s chord and approach.
Incomplete bars are marked below the stave. Blank spaces are unfinished choices, not rests.
Preparing notation…
Section A
- Bar 1. Chord not chosen. 4 beats unfinished. Left hand: chord not chosen.
- Bar 2. Chord not chosen. 4 beats unfinished. Left hand: chord not chosen.
- Bar 3. Chord not chosen. 4 beats unfinished. Left hand: chord not chosen.
- Bar 4. Chord not chosen. 4 beats unfinished. Left hand: chord not chosen.
Section B
- Bar 1. Chord not chosen. 4 beats unfinished. Left hand: chord not chosen.
- Bar 2. Chord not chosen. 4 beats unfinished. Left hand: chord not chosen.
- Bar 3. Chord not chosen. 4 beats unfinished. Left hand: chord not chosen.
- Bar 4. Chord not chosen. 4 beats unfinished. Left hand: chord not chosen.